Sea Glass Stories

It’s one year ago since Gina and I moved from the Rocky Mountains to the Wild West Coast. Twelve months went by in a hurry. I recall driving out in the rain and wind on Hallows’ eve. Backyards were illuminated with pumpkins, tombstones and skeletons. Fireworks lit the sky. A few days ago the trick or treat scene repeated itself. After a long wet winter and a splendid sunny summer, we’ve come full circle.

Life has changed a bit. We have morphed from mountain “men” to island dwellers. We’ve moved from a quaint bustling town to a small scenic city, from a competitive outdoor mecca to what feels a bit like the land of the lost souls. It took some time to adapt to traffic and the colourful characters inhabiting this place. But now that we’re settled in, we do like it.

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Work has taken an unexpected turn. After years of home renovations and sales jobs, I am tentatively starting calling myself an artist. It’s a odd experience. I don’t feel like an artist. Aren’t artists strange and eccentric? They stand out from the crowd. They aim to be different. They go against the flow. They paint abstract art that a toddler can make. I’m quite the contrary. I feel like an average guy that comfortably blends into the background of coffee shops. I dress simply, speak moderate language and always aim to please. I guess I’m a closet artist. Even though I have pursued the pseudo-accepted art form of photography for years, this summer, I actually made art for a living.

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One sunny January morning Gina and I ventured onto a new local beach to soak up the salt air once again after being landlocked for years. In a short period of time we found enough sea glass to catch a fever much like a gold miners in the Klondike. We filled our pockets to the brim in a hurry and waddled home trying to look casual yet sounding like a glass recycling bin. After unloading and observing the bounty on the coffee table, I felt like we had robbed a bank. A feeling of ecstasy and a sense of guilt dominated. Gina pointed out that only a catholic would feel guilty about “stealing” garbage. Yet, in weeks to follow, I made some sea glass offerings back to the sea to balance my karma account.

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I acquired some old window and photo frames and started working on some homemade sea glass mosaics. After all, my new part time sales job in the window coverings store was not soothing my soul. Plus, the hours demanded were conflicting with ongoing health issues. So I was motivated to embrace an island lifestyle and become a part-time artist. It seems like a cool choice, but sometimes the most daring appearing choices originate from a desperate attempt to pay the bills and reinvent yourself once again.

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As Gina binge-watched vampire shows on Netflix and studied hard for mid-term exams, I puttered about at my art-desk. I produced some questionable kindergarten results. Cute, not great. But there was potential. I contacted one of the local arts markets, intending to sell some of my photography in combination with a handful of sea glass art. Surprisingly, my request got honoured. Panic set in. In a hurry I acquired a pop-up tent and folding tables. I invested into banners, business cards and easels. I spent a third mortgage on canvas and photo prints, relying heavily on all the years I had invested in photography.

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The first few Sunday markets were rather disappointing. While the new scene was fun and other vendors were supportive, sales barely covered cost. Uninspired and un-energized, I limped back to my part-time job on Mondays. But stubborn and always keen to put the bar (too) high for myself, things slowly moved in the right direction during the following weeks. Sea glass or beach glass seems to hold a spell over people. Despite its origin as bottles or jars being tossed into the ocean, people can’t resist the gemstone-like appeal of it when it washes up on the shore, all frosted and rounded by the surf. If only plastic had the same appeal, our oceans and beaches would do a lot better.

 

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As weeks went by, I got a better feel for what subject, sizes and prices I needed to deal in. The typical cruise ship or airline tourist arriving in Victoria aims to find a small souvenir they can take home with them in their carry-on bag. Often land-locked, they long to take a piece of the ocean home with them. So I indulged and sold them bags of seawater and sand. No, not really, even though I probably could. Instead I started producing simple sea-side scenes. They don’t fill the inspiration void but paid the bills for a while. Once a week I set some time aside to be a bit more creative with larger art pieces that don’t fit in a suitcase. I need to fuel the creative spirit at least part of the time.

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At the end of the Summer I did a tally of the market sales. The score: sea glass art pieces: 100+ sales, photo prints: 3. Yes, you read that correctly: 100 plus. And yes you that that correctly too: 3! While the 100+ was celebrated with much surprise and rejoice, the photography sales were shocking. It was frustrating enough to consider throwing all photography prints, including years of dedication and patience, into a big bonfire. I would burn away frustrations, move in to a driftwood beach shack and solely do beachcombing and sea glass art. Who knows, I might still do that.

 

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So here we are. It’s Halloween again. Tomorrow the retails shop displays switch overnight from Halloween to Christmas. The shopping malls will play the inevitable jolly tunes to drive me crazy. I am hesitantly becoming a vendor in my first Christmas market. People will be annoyingly cheery. The decor will be more festive than I can handle. And much like this Summer, it might be surprisingly wonderful.

 

You can find more info about my sea glass art endeavours on the Sea Glass page of this website.

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Old and New Horizons

 

We made the leap. We packed our stuff and drove west. Destination Vancouver Island. The ocean has been calling my name for years. And I’ve been ignoring her call for too long.  I have a good excuse though. For the longest time I have been seduced by another lover: the Rocky Mountains.

 

On Halloween morning we finally hit the road. We drove out in the rain, fighting a continuous spray on the winshield and battling the fatigue caused by weeks of purging, selling and packing. It rained in Revelstoke as it always does when we drive through and it only stopped when the ferry generously swallowed us up as the last car of the sailing. Above us a gray blanket covered the coastline, like a warm comforter that you pull up to your nose during the dark days of winter. It was a typical winter welcome to the coast, a return to mild coastal weather and a reminder of the first 28 years of my life in native Holland.

 

Ever since the plans to move to Victoria were set, I have been looking at the mountains differently. You start to appreciate them more when you know you will part ways with your beloved friends. You realize that every time you look them in the eyes might be the last day of your intense romance. You enjoy the short 5-minute drive to visit a friend in your tiny mountain town. You cherish the quiet coffee shop with familiar faces just a little more during that last week. And you admire the fact that during the last 15 years, true wilderness only started 2 minutes from your doorway.

 

For a guy who has only lived in relatively small towns, it will take some getting used to a city environment: the traffic, the unknown faces, and my own unfamiliar face among the crowds. The people and the infrastructure currently feel unfamiliar, yet the wind, water and rain immediately made me feel at home. I tasted the salt air this week and took an extra couple of deep breaths to make room for something new. We climbed over slippery logs washed up on the shore. We watched as a seal casually played with a school of fish. We stood small under towering cedars and we got stuck in traffic on multiple occasions. It is slowly sinking in that this strange and yet familiar place is our new home.

With my photography in the Rocky Mountains coming to an end (at least for now), it felt right to complete one final artistic project. I have been making mosaics for customers through my Etsy site for a while now and always intended to make one large final piece that reflects Canmore and my photography. You can see the result here in this blog. I took 800 close-up nature photos that I captured in the last five years and used them to make a large colourful mosaic.  The background image that the mosaic represents is as Canmore as it gets: The Three Sisters, Canmore landmark and our view for the last 15 years.  The individual photos represent many small pieces of nature that, together, build the larger ecosystem. To me personally the piece also represent hours and hours of enjoyment, sometimes hard work and wonderful memories in nature.

 

I intend to print the image on large format and hang it in our living room to keep a close connection to the place we’ve called home for so long. They say “home is where the heart is”. While the ocean might steal me away, part of this heart will always remain in the mountains.

 

 

To visit my Etsy site with mosaics, click here

For Three Sisters lovers, the mosaic is for sale as a print. Just contact me to inquire about sizes and pricing.

 

 

 


 

A few dollars & change

Let’s start with an update. After a long absence from working-life, due to Lyme and co, I am back to working part-time. My health is not yet where it needs to be, but ok enough to put in some carefully planned work hours every day. This carefully exercised balancing act has taken some energy away from writing and photography, but the joy of being around people again, more than made up for it. Who knew that spending a few hours a day around people could be as important as the quiet time I always search out in nature.

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Summer approached, arrived and left in a hurry. The most anticipated time of the photographer’s year flew by without me giving it much attention. My photographic celibacy from Spring continued into Summer. Outings were still regular, but less frequent than in other Summers. The culprit was not so much physical limitations, but mainly a lack of inspiration. I had never thought social media could take such a huge bite out of my creativity. Still it did, and the effects are still lingering. I am still not interested much in what other photographers post online. Not that I don’t care about their creative work, but I am desperately trying to cherish that little spark of inspiration that comes to me every now and then through my own intuitive channels.


Ok, so the focus has been less on photography lately and more on other things. After nearly 3 years of not working and getting through what I hope was the worst of my health journey, I have started working again. This Spring, I met with a business owning friend who generously offered me a few work hours per week which would consist of 20% standing and 80% sitting (really this is what we agreed to). The “few” hours have quickly grown into working half days. The other part of the day is still focused on a lot of resting and contributing to a normal household. The health journey with its notorious ups and downs is far from over, but compared to a year ago I can hesitantly say, while knocking on wood, that I am doing better.

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Photography has kept me somewhat sane in past years by being able to distract and inspire myself in a healing natural environment. While I need solitude at times, I’ve encountered more than a good share of quietness in recent years. Boxing yourself in is an automatic thing you do when you are tired and miserable. That downward spiral into isolation becomes yet another challenge to deal with. While counsellors and doctors always encouraged me to be around people, I hesitated, fearful of yet another setback. But stepping back into the work place has turned out to be an eye-opening experience for me. Even for a borderline introvert like myself, being around colleagues and customers has made all the difference. Apparently, there is not just a caveman in me, but also a social being. Maybe just not a frantic social media being.

 

I’ve noticed yet another shift in my behaviour. Where I would always set lofty goals for myself and pushed myself to aim for perfection (and consequently burn myself out),  I realized that my appetite in photography and writing, like many endeavours in my life, were also larger than….well….me. With the sabbatical I have taken from a narrow focus on photography and the always awkward race for social media attention, the realization settled in that only very few of us are going to be the next Ansel Adams. If I want to become well-known writer or successful photographer I’d better get comfortable with pushing myself into the spotlight of the digital media world. But, it turns out I don’t feel the need to be on the cover of National Geographic or even the local newspaper. Right now, I am actually quite ok with a modest background role.

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Call it a sign of getting older and wiser, or a breakthrough in a midlife crisis, I’ve gotten comfortable with the fact that writing and photography are currently just a hobby, not much more, not terribly less. Surprisingly my ever-so-vocal ego, is ok with it. As a result, my weeks are happily spent working half days with colleagues, helping customers in a perfectly predictable routine, and resisting the temptation of wanting much much more.

 

No doubt the adventurer in me will get bored and look for new dreamy castles in the sky to be conquered. No doubt my demanding ego will drive me out of the present and into the future of “what if” and “what else”. But with a delicate health at stake, I have now a partner in slowing down and cherishing the small victories. Perhaps treating photography and writing just as a hobby, fits perfectly in my newly acquired routine.

 

 

 

ps 2016 Macro Photography Calendars now available!

 

 


 

Let’s talk about me

As part of life on Facebook, I am a member of a highly secretive community of local photographers who share ideas, help one another move forward and regularly make fun of each other. As part of a new initiative to put a spotlight on one of the photographers, Kurtis – a commercial photographer and one of group the moderators – decided to interview me.

The interview took place in one of Canmore’s cozy coffeeshops. Afterwards Kurtis took some photos of me and our dog Charm in the backyard.  I was given four questions to reflect on and asked to select four of my favourite macro images over the next few days. You will find the results below. It was nice to be interviewed in such as professional, yet personal manner. The questions forced me to think more about the intentions and motivations behind my photography and will allow me to move forward.

I can highly recommend Kurtis for his commercial photography work. His website can be found at http://www.spindriftphotography.com

martin_v_011 webMartin was nominated as someone who is working on his craft and giving back to others in his community. ~ Interviewed by Kurtis Kristianson.

For many of us, photography has not only become an outlet of creativity or passion but also a means of therapy. The focus needed to really pursue our craft can at times fill our spirits and sometimes it blocks out our own anxieties. The drive to create can take the place of a dangerous habit or it can take the place of a dangerous state of mind. We all have our reasons and motivations for being in this place, using photography as an outlet and strangely enough, wanting to be a part of this community.

Martin van den Akker has been living in Canmore for around 12 years now but in the last few has found a renewed passion for photography. Primarily a self-described “nature” photographer, Martin has moved from broader landscape work to macro photography partially due to his current physical condition. For the last 8 years Martin has experienced a chronic state of exhaustion of which doctors have recently (past 2 years) diagnosed as Lyme disease. Imagine touring the back country for 2 days straight with no sleep and you will get a sense of the challenge just to get to and from the usual photo locations.

However instead of forfeiting his craft, Martin has found a world close enough to travel to yet far enough away that many of us never get to see. He understands his situation and embraces it for how it has changed his perception and the way he sees the world. Martin is forced to stop and look closely and in doing so has opened up a macro world for all of us to enjoy. How lucky are we that he has chosen to use his personal therapy as a gift to others.

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Kurtis) What is the number one motivator to get out and shoot? What is it that “drives” you?

Martin) What pushes me most often out the door to shoot is the quiet promise that some hidden gem is waiting to be found out there. Much like beach combing or scavenging garage sales, the treasure hunting aspect inspires and energizes me. It also matters that I feel I am continuing to grow as a photographer and as a human being. Without opportunities to challenge myself and “evolve”, I lose motivation in any type of work.

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Kurtis) For you, what is the most important part of the photographic process? What matters?

Martin) The photographic process in nature distracts from me my daily realities and is a perfect exercise to slow thoughts down and really experience nature. I always intend to make the immersion process as important as the result. Yet, so often I am still slave to the end product. So even though I am not always successful at a mindful approach to my photography, it is an important objective right now.

Kurtis) How has your current physical condition changed you or your work?

Martin) It has forced me to slow down, become more patient and trust the outcome (not without a kick or scream). My photography has followed suit. Limitations force me to be creative. With the appearance of a neurological condition, I became a lot more sensitive to stressors like certain foods, light, noise, busy places and even loud people. It shows in my photography; aside from the odd rough day where I feel drawn to shoot dark images, I am currently attracted to quiet soothing places, soft tones and intricate details.

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Kurtis) What do you hope to accomplish with your photography in the next few years?

Martin) I feel compelled to keep sharing the beauty that surrounds us, but I would lie if I said that the business aspect is not important to me. I would like to find a way to make a part-time living out of photography and writing. I aim to become more fearless in both mediums, fully expose my personal journey through my art and promote my work more confidently. Last but not least I hope connect with more photographers and writers while honouring my own boundaries.

Photography Therapy

 

Close to the ground I feel comfortable. The gravitational force has pulled me on my knees, not by choice. My head is spinning and it’s time to sit down for a break. I’m used to it by now. Through trial and error, anger and acceptance I have come to understand what my body can and can’t do. My body is lacking the energy to hike for miles or get up in the middle of the night, so I have grown to get comfortable to take photos in a relatively small window of time and space. It’s no surprise that one of my favourite topics is macro photography.

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It’s over a year and a half since I created a website dedicated to my photography and ambition to write more. I started a Facebook photography page on which I regularly posted a few photos. It’s not a booming business by any means but I kept going steady with the first and foremost intention to share the beauty that surrounds us.

 

While it’s never been a smooth ride, this winter the posting of photos and writing started stuttering like an old car in frigid winter conditions. Health challenges forced me to surf the couch and stare at the ceiling pretty much full time. A fog settled over me, kept me from writing with the clarity and inspiration I felt earlier. It was hard to accept, but I learned to come to terms with the reality that good and bad periods just come and go in waves.

 

Here’s a rather short explanation about my health to give some context. What started with a mild fatigue some 8 years ago has slowly progressed into a fairly serious condition. I frequently experience nerve pain, muscle weakness and severe fatigue. While I look pretty normal, my body’s energy battery is charged at 20% most days. After what feels like a few hundred diagnoses and treatments over the years, I have recently been treated intensively for Lyme disease. The diagnosis and treatment of Lyme disease are controversial; the illness is multi-layered and complex. I generally tell people that my ongoing treatment is based on the doctors’  best guesses.

 

When my photography outings came to a mere stand still, I felt no inspiration to continue writing photography blogs. Why would I write a blog about something I don’t actively pursue? The negative self-talk got a good hold of me. But in recent months, after encouragement from family and good friends, I have pushed myself –often against my body’s will- out the front door again.

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I typically drive to a familiar spot nearby, walk a few hundred meters and stop. Legs hurt. It’s time to crouch down and look around. After a break, I get up again, walk another couple hundred meters and take a time out again. By then I have usually found an interesting topic for macro photography. On my knees, with my mind in a different world, the pain gradually dissolves. The fatigue goes unnoticed for a while. Time ceases to exist. All the worries and frustrations of a long challenging journey fall off my back for a while. It is only when I stretch my back and waddle back to the car that I realize I am taking part in a carefully planned and paced exercise.

 

After clearly stating my desire to be more mindful and present in previous blogs, it’s ironic how life has thrown me the perfect exercise to learn to appreciate the little things in life and in nature. My photographic journey continues in a different form than I anticipated. I don’t spend all night in the woods photographing the Northern Lights or Milky Way, nor do I dangle dangerously above cliffs trying to get the unique elevated shot. Hat’s off to those photographers who do that. That’s what I would if given the chance and that’s what I’ll do when the tide turns again. For now, this condition has forced me on my knees (in more than one way). On my knees I’m currently most comfortable. On my knees is how my photography currently takes place.

The close-up natural world is surprisingly intriguing and complex like larger ecosystems, with its own vistas and panoramas. The macro world – a world blown up to larger than life size- reveals interesting patterns, hidden symmetry, geometrical patterns and architectural wonders. Macro photography is now pretty much all I do. Once I am focused on something, my mind is not interested in anything else. The more creative the idea, the better. I am grateful I still get to do this. Photography is a creative outlet and necessary therapy I can’t live without.

 

I have started a personal blog to share a bit more about my own health journey. It’s personal and perhaps not for everyone and that’s ok with me. But for those interested in learning more, you can find it at www.exposedliving.com.

How to embrace a lemon

On my photography outings I often try to adopt a mindful approach. I say try, because I regularly fail like a chicken trying to lay a perfectly round egg. The last week was not any different. My head was full of good intentions; to take some time to relax, not judge the outcome and let the photography process unfold organically -whatever that means. The result was slightly different than anticipated. Sometimes when you’re looking to savour a juice peach, life hands you a lemon.

 

A few days back, a sunny spring day, was a good day to go exploring, find something new, and shift creativity from neutral into first gear. I’m on a ridge overlooking the Bow Valley. The ridge is exposed to the southern sun. As I walk I feel the heat of the early season sun linger in pockets around me. I sit down in a hotspot and let the world around me unfold. Inspiration will come, I think. If not, it is pleasant relaxing my eyes on the distant mountain panorama. I sit down and focus on my breathing. Deep breath in, long breath out. It’s the start of my long-intended and long-anticipated meditation sessions in the wilderness.

 

After a minute I get bored. It’s a common pattern. My mind wanders off, thinking about a stealthy cougar approaching, ticks crawling up my legs or amazing photography opportunities waiting just around the next bend. To sit down and stop my mind from going in circles often turns out to be a real challenge.

 

triangular-crocus-logoToday is no different. I’m happy to be out in nature. My body is calm, but my mind is restless. I pride myself on the intention of just sitting and being.  “Here’s a high five to myself for even trying”, I think. My eyes are already scanning the area around me for a photo subject. I soon discover a flower that peaks my interest. The sun sits high in the sky, so I use my backpack to create some shadow on the flower. The backpack is shaped awkwardly- a flat back and round front. It’s not unlike my own waist these days. The pack does not easily stay in place on this moderate slope, so I wiggle it into a juniper bush. Finally it sticks. I lean forward on knees and elbows and start the interactive game between camera, flower and elements.

 

Suddenly the light is back on. The backpack rolled over like a helpless beetle. I don’t care and keep going. “Thump”, the backpack makes a sound again. Now I look up. Only a meter away the backpack has taken another tumble downhill. With my camera in hand I sit up and observe. The backpack flips once again, gently limping down the hill, taking a quick breather after every somersault. “The next juniper bush will grab it”, I tell my dog. Wrong. The pack’s round front leaps gracefully over the bush. “Thump, thump, thump”, the backpack is now gaining momentum. My world stops for a moment while I witness the pack transform from a leaping gazelle into a cartwheeling rock. It seems to be enjoying itself. My lenses inside the bag have come along for the joy ride to the valley floor.

 

Deep breath in, long breath out. To my own surprise I don’t respond; I just watch in awe. My thoughts have come to a four-way stop as my backpack shamelessly runs the traffic light. Like a Buddhist monk I sit and watch. Ten seconds of mindfulness. The backpack has by now disappeared into the trees some fifty meters below. As in a sudden awakening, I jump back on my feet and start running down the ridge with my camera in hand. Soon I stumble, plummet and tumble headfirst through numerous juniper bushes. Acknowledging my camera survived the first beating,  I get up again and navigate the steeper part of the slope with a lot more awareness. In the trees on the valley floor I find my pack. The lenses, packed in soft, foamy cushions, are shaken but not stirred. No damage at first sight.

 

My lenses have taken a beating, but two days later I’m outside again, drifting through the woods with no particular plan other than to test the lenses. My dog Charm is again by my side. I’m surprisingly calm today. The rushing sound of a creek pulls us in. The sun plays with rays of sparkling white water as it rushes over a log. I find a nice angle and set up a tripod along the creek, aiming to take a long exposure shot. The shore is rocky, covered with soft, slippery sphagnum moss. Charm finds a soft green pillow and wallows in the sunlight. I set the exposure time on my camera to thirty seconds, press the shutter button, step back and let the camera do its job. I relax, sit down and continue where I left off a few days ago. I am relaxing my muscles, smelling the woods, feeling the sun on my skin. Deep breath in, long breath out. I can’t believe I am actually doing it.

 

creek-camera-logo“Plunk” I hear next to me. I look up. The camera and tripod have disappeared. All that remains are a rock and rushing creek. I can’t believe it. The tripod fell over and landed in a dark deep pool. I can’t even see the camera. Like the episode on the ridge a few days back, I am left stunned for a few seconds that seem like eternity. Deep breath in, long breath out. I am no doubt living in the present. Mind is empty, hollow, vacant. Then, as if a spark hits fuel, my brain starts racing again. “Do I untie my shoes, jump into the creek, scream, just give up?”, I rush from thought to thought.  I decide to reach into the pool with both arms and blindly feel my way to what appears to be my gear. I lift up the dripping mess. “There goes my photography for a while”, I say out loud. My dog looks at me from her mossy bed and silently acknowledges this newly acquired wisdom.

 

For a while I sit on the moist moss and lick my wounds. The camera is water logged and lifeless. The lens is saturated with milky muck. It’s too late for CPR, defibrillation or surgery. Even though frustration is dripping from my face, I realize life has once again handed me perfect little exercise in remaining calm and trusting a good outcome.

 

Deep breath in, long breath out. The universe obviously has other plans for me this week. I decide to embrace more writing this week. Perhaps I’ll buy a lottery ticket. Don’t things often turn out for the best after life appears to go tumbling down a mountain? As I walk back home, I promise myself to apply what I heard on the radio the day before. What do you do when life hands you a lemon? You take a huge bite out of it, knowing lemon is good for you.

 

 

 


 

Focus on Crocus

After a long Canadian winter, I generally look forward to the first signs of Spring. Here in the Rocky Mountains, we typically have to wait until April to witness the first flowers popping up on sunny south facing slopes. As the sun rises higher and higher above the mountain ranges, the snow melts quickly in sunbaked spots while underexposed slopes still cling to layers of snow and ice. The landscape slowly morphs into something new, a transition I have now witnessed many times before. My mind predicts the changes of the season in detail; first this, then that. But this year I am committed to silencing my mind for at least a short while and embrace a concept that is called “Beginner’s mind”.

 

The practice of adopting a Beginner’s Mind starts with taking all your judgments, beliefs, opinions and locking them up in a closet where we can easily access them later again. It’s about investigating something new with curiosity, excitement and wonder, even if we have investigated it before. It’s about recognizing that our great intellectual mind serves a purpose, but also distorts and hides things from our view. I decided to experiment with this concept while wandering the local trails, with camera in hand of course.

 

The exercise I’ve given myself is centered around one flower, the Prairie Crocus. If my locked up mind serves me well, it is the first flower to make an appearance on the local mountain slopes. For a week now, I’ve been keeping an eye out for the first one to appear on the sunny slopes directly behind our house. Even though the objective is to discover the flower as if it was presented to me for the first time, my competitive mind is determined to make a game out of the search.

 

After a few days of scanning the slopes, today, on April’s Fool’s day, I found one brave lonely fellow. It is an unusual teaser of a hot day, as if the weather gods are playing a joke on us, knowing the rest of the week will bring the usual temperamental Spring weather with rain and snow storms. I am surprised to find one small crocus brilliantly reaching for the sun this early in the season. It is not safely tucked in between other plants to hide from a merciless world. No, this flower is committed, wide open and unlike me, living non-stop in the moment. As if in a love affair with the life giving sun, it was not shy about erecting triumphantly in this morning’s sun. Once opened, it’s sunny yellow core and soft lavender colored sepals drew my eyes in. The first insects and butterflies dart around it as if they found a formidable treat. Over the course of the coming weeks, more of this flower’s relatives will no doubt come out of hibernation, having no choice but to be lured by the irresistible heat beckoning from above.

 

As I photograph the flower, I am trying hard to the silence my lively mind and discover it again for the first time. This prairie crocus is not big, it measures only 4 inches. It has an unusually large head compared to its body. Unlike babies, I figure this flower is not really going to grow out of its odd proportions. I swerve back from preconceived notions and judgments to new discovery. The flower is covered with an army of tiny white hairs. To a macro photographer the hairs are perhaps the most fascinating part of the plant. Water drops balance on top of the woolly threads, refusing to disperse into smaller drops. The round bubbles make up their own mini universe and reflect the world surrounding the flower, including the photographer, in an amusing distorted manner.

 

I decide to revisit this gorgeous hairy monster in the days to come, through rain and snow, discovering it in detail with a child’s curiosity. In our rushed, mind-dominated society it is easy not to care about the short lifespan of this flower, but I’m curious to observe it from day to day. It is a liberating feeling to let go of the imprisoning  attitude of “I know” and to embrace “I don’t know”. To be curious and to welcome what is presented to you in the moment can be refreshing to say the least. Even though I have taken lots of photographs of this flower species in previous seasons, I am determined to explore it again and discover something new. Since the Crocus is the sole flower brave enough to populate our fragile slopes and face our moody weather for several weeks, my mind has surprisingly agreed to go along with this approach.

 

 


 

Mind’s eye opener

Things aren’t always as they seem. You can look at a painting and see one thing, and it will be all you see until someone points out something you never noticed before.  There are artists who specialize in deception and optical illusions, giving paintings surreal 3D effects or letting images spin while they really don’t move at all. I find it fascinating. On a smaller scale, pretty much in the backyard of our home I witness optical illusions too, hidden treasures in photos and landscape scenes. Faces hidden in rocks, old wise men disguised in trees. I don’t go purposely looking for them, but sometimes an image surprises me and makes me wonder what else I have missed.

 

My curiosity about the “invisible” world didn’t show up overnight. I started with a simple well-known logo that was highlighted in an educational video while I worked at The Banff Centre. image fedexThe FedEx logo is something we all encounter on the buses driving around town and nothing seems out of the ordinary. Five letters, F.E.D.E.X, that is it. That is until someone pointed out to me there’s an arrow between the last E and X. Not a huge revelation by any means. What is huge, is that the arrow is all I see now, on every package, on every van and even in Tom Hank’s Castaway. Whoever pointed it out to me, thanks very much, but not really.

 

It was an interesting discovery that kind of faded into the background until I recently took a photo that brought the whole experience back to light. A close-up of some ice crystals on a frozen creek seemed a nice enough macro shot, but while observing my mosaic of photos at home, all I noticed was a glaring eye staring at me, like father winter was keep a close eye on me.

Despite the image being composed of some feathered crystals called hoar frost, all I see, time after time, is the eye. My brain is relentless and stubborn. It loves the route it just discovered and is determined not to veer off for a while. I wonder if it’s the same route as the FedEx van drives every day.

 

The big revelation lies in the question what else I have missed in life. What crosses my path every day and haven’t I noticed? What is it my mind chooses to see and what is it, even right smack in front of me, my brain chooses to ignore or label as something it has already encountered a thousand times?

 

On many occasions I tried to change habits or behaviors that didn’t serve me, tried to flick the destiny switch in my life. I decorated the kitchen cupboards and walls of our house with fluorescent sticky notes, reminding me of my newly intended behaviors, encouraged by the common concept that it only takes 3 weeks to make a new behavior your own. As I often found, the new behaviors didn’t last. Like the supposedly sticky notes, they eventually stopped sticking.

 

What if changing a behavior was as easy as seeing the arrow, seeing the eye in the snow and never going back to the old routine. What if an eye opener constructed a new freeway in our brain, like a freshly paved autobahn that whole of Germany has been waiting to use. Can one experience, one encounter with another human being, blast you into a permanent new awareness, cause the bridge to old behavior to crumble behind you, disappear into the vast open space of underutilized gray matter? I do not have the answer, but it sure is an interesting question.